@nedpotter.bsky.social
PUBLIC LIBRARY SOCIAL
MEDIA
We spend 99% of our time assembling collections and developing
services, and only 1% of our time telling people about them
The big
issues Too much of our marketing focuses on three groups, all of which
are low value (in purely marketing terms): the superfans, the
actively hostile, and other librarians
A lot of library marketing lacks focus, and sufficient ambition
Our ambition needs to be up
here! Remember: above all, we
are trying to change behaviour.
LIBRARY
MARKETING
AND THE
LIBRARY
BRAND
The science and art of
exploring, creating,
and delivering value
to satisfy the needs of
a target market at a
profit.
Philip Kotler (2012)
The process or
technique of
promoting, selling,
and distributing a
product or service
Merriam-Webster
(2019)
Marketing goes
beyond trying to get
people to use your
library; it is a
concerted effort to
articulate your value.
Nancy Dowd (2010)
Marketing definitions
Telling the right people
at the right time
in the right way
about what we have
that they need
Your brand is the perception of institution, and its products and
services, in people’s minds. It’s how people think and feel about who
you are as an organisation, and what you do.
Your brand is the perception of institution, and its products and
services, in people’s minds. It’s how people think and feel about who
you are as an organisation, and what you do.
Branding is the process of trying to influence people's perceptions of
the organisation and way they think about your brand.
Your brand is
what people
say about
you when
you’re not in
the room
As libraries we need to develop our materials and the
way we communicate in order to influence the brand.
What do you want your library to be known for?
Approachable? Fun? Authoritative?
Quick? Comprehensive? Transformative?
Relaxed? Contemporary? Inclusive?
As libraries we need to develop our materials and the
way we communicate in order to influence the brand.
What do you want your library to be known for?
It would be almost impossible to be
simultaneously known for all of these, so
it’s worth choosing one or two, to build a
pattern of associations.
As libraries we need to develop our materials and the
way we communicate in order to influence the brand.
What do you want your library to be known for?
Approachable? Fun? Authoritative?
Quick? Comprehensive? Transformative?
Relaxed? Contemporary? Inclusive?
I’d like you to turn to the
person next to you and, for
3 minutes, talk about your
answers to this question:
What do you want
your library’s
brand to be?
I’d like you to turn to the
person next to you and, for
3 minutes, talk about your
answers to this question:
What do you want
your library’s
brand to be?
Step 1 is working out
what you want your
library’s brand to be.
Step 2 is using your
marketing to make it
happen. Social
media is hugely
important for this.
4 LIBRARY
SOCIAL MEDIA
INSIGHTS
Why is social media SO
important to libraries?
We get to go to our audience, rather
than them having to come to us.
We can reach people whether they’re in
the library, at work, or at home.
Why is social media SO
important to libraries?
We get to go to break down barriers.
It’s not just that people have an outdated
or limited idea of what libraries do, it’s that
they’re scared of them! We can reassure
and welcome.
Why is social media SO
important to libraries?
We can have conversations online.
Social media occupies an interesting
space for low-key dialogue – the kind of
thing people wouldn’t email or phone
about but still find useful…
Social media feedback is often more
representative of the typical user
experience.
Why is social media SO
important to libraries?
We get to improve our reputations.
Why is social media SO
important to libraries?
We get to influence behaviour.
When social media goes well, we
genuinely build relationships with our
users.
It has a knock-on effect on the way
people FEEL about the library, the way
they TALK about the library, and even the
way they USE the library – and how often
they use it.
Social Media is
problematic in all sorts
of ways, but as library
marketers it is perhaps
the greatest opportunity
we’ve ever been given.
And the numbers go up
and up, all the time.
So which social
media platforms
should public
libraries
prioritise?
Active Social Media users by platform
in millions, WORLDWIDE, 2024
3,049
2491
2000
1562
750
619
482
0 500 1,000 1,500 2,000 2,500 3,000 3,500
(data from Statista)
Facebook remains essential for public libraries
Active Social Media users by platform
in millions, WORLDWIDE, 2024
3,049
2491
2000
1562
750
619
482
0 500 1,000 1,500 2,000 2,500 3,000 3,500
2.40
4.01
2.72
2.37
2.04
1.8
1.03
0.00 1.00 2.00 3.00 4.00 5.00
Active Social Media users by platform
in millions, IN IRELAND, 2024
(data from Statista) (data from datareportal)
(I have
never seen
this before!)
Facebook remains essential for public libraries
Instagram is the opportunity
Its use in the cultural sector is
huge, and Instagram has
established itself as a platform
where people engage with
organisations, not just
individuals. 81% of its users have
used Instagram to research
products and services.
90% follow organisations or
brands.
You don’t
need to be a
great
photographer
or have
expensive
equipment to
make Insta
work. But,
crucially, it is
a platform for
captured –
not created –
images.
Your
ideas
here…
Stories GRID PICS REELS
STYLE: Portrait
(vertical) pics or
short videos – or
just text content!
Doesn’t need to
be polished.
CONTENT:
News, updates,
things that don’t
photograph
well, anything
time-sensitive or
that-day. Or –
interactive
things, Q&As.
STYLE: Portrait
(vertical) videos.
CONTENT: Spaces
within the library,
or events like
story-time or
author readings, or
showcasing
services – or tips
and tricks, crafts,
etc.
STYLE: Landscape
or square images
CONTENT: Spaces,
or pretty things, or
#tbt, or behind-
the-scenes
REMEMBER:
Pictures of words
simply do not work
280 characters
Text, images, video,
links, gifs, shares from other
social media
Huge use among libraries
and librarians
For actually engaging with
library users, twitter was
hard to beat.
Huge numbers of people are
leaving (and the people
joining are hugely
problematic)
Mechanics don’t work as
well (algorithm is built on
one megalomaniac's whims)
Almost all freely available
bolt-on tools no longer
available
Analytics now unusable
X has become so toxic,
it is arguably
reputationally
damaging to be there
This recent tweet has
reached 1.5% of Dublin City
Libraries’ followers. (The
problem is not the tweet.)
Facebook remains essential for public libraries
Instagram is the opportunity
It’s time to become ex-x
The potential alternatives to Twitter
The landscape is blurry here because there’s no single place
our Twitter community is going. If there were we would go
there, because the audience is more important than the tool.
Instead, things are more fragmented, and whatever happens
this is unlikely to reverse, so we have to plan accordingly.
Threads
Massive early adoption has not turned into a
Twitter-sized pool of regular users yet.
However, two things have happened recently:
Threads has become usable in the EU for the
first time, and a massive book-related Threads
community has established itself. For Public
Libraries who don’t mind focusing exclusively
on the book-content, Threads could potentially
be really useful in time.
Here’s the thing. You
don’t need to do
TIKTOK in a brilliantly
viral way for it to be
worth being there.
You can just be
USEFUL. Show people
spaces, and tell them
how to do things –
that’s valuable.
Facebook remains essential for public libraries
Instagram is the opportunity
It’s time to become ex-x
Tiktok + threads may be worth YOUR TIME…
QUESTIONS?
IDEAS?
SUGGESTIONS?
SUCCESS STORIES?
Our ambition…
Thank you for listening!
ned-potter.com | @nedpotter.bsky.social
Find LOTS more detail on much of the social media
we’ve discussed on my website, where you can book
bespoke workshops for your library if you’d like one
CC0 photos via Pexels, Pixabay and Gratisography
.
.
.
.

Public library social media in a post-Twitter world

  • 1.
  • 2.
    We spend 99%of our time assembling collections and developing services, and only 1% of our time telling people about them The big issues Too much of our marketing focuses on three groups, all of which are low value (in purely marketing terms): the superfans, the actively hostile, and other librarians A lot of library marketing lacks focus, and sufficient ambition
  • 3.
    Our ambition needsto be up here! Remember: above all, we are trying to change behaviour.
  • 4.
  • 5.
    The science andart of exploring, creating, and delivering value to satisfy the needs of a target market at a profit. Philip Kotler (2012) The process or technique of promoting, selling, and distributing a product or service Merriam-Webster (2019) Marketing goes beyond trying to get people to use your library; it is a concerted effort to articulate your value. Nancy Dowd (2010) Marketing definitions
  • 6.
    Telling the rightpeople at the right time in the right way about what we have that they need
  • 8.
    Your brand isthe perception of institution, and its products and services, in people’s minds. It’s how people think and feel about who you are as an organisation, and what you do.
  • 9.
    Your brand isthe perception of institution, and its products and services, in people’s minds. It’s how people think and feel about who you are as an organisation, and what you do. Branding is the process of trying to influence people's perceptions of the organisation and way they think about your brand.
  • 10.
    Your brand is whatpeople say about you when you’re not in the room
  • 11.
    As libraries weneed to develop our materials and the way we communicate in order to influence the brand. What do you want your library to be known for?
  • 12.
    Approachable? Fun? Authoritative? Quick?Comprehensive? Transformative? Relaxed? Contemporary? Inclusive? As libraries we need to develop our materials and the way we communicate in order to influence the brand. What do you want your library to be known for?
  • 13.
    It would bealmost impossible to be simultaneously known for all of these, so it’s worth choosing one or two, to build a pattern of associations. As libraries we need to develop our materials and the way we communicate in order to influence the brand. What do you want your library to be known for? Approachable? Fun? Authoritative? Quick? Comprehensive? Transformative? Relaxed? Contemporary? Inclusive?
  • 14.
    I’d like youto turn to the person next to you and, for 3 minutes, talk about your answers to this question: What do you want your library’s brand to be?
  • 15.
    I’d like youto turn to the person next to you and, for 3 minutes, talk about your answers to this question: What do you want your library’s brand to be? Step 1 is working out what you want your library’s brand to be. Step 2 is using your marketing to make it happen. Social media is hugely important for this.
  • 16.
  • 17.
    Why is socialmedia SO important to libraries? We get to go to our audience, rather than them having to come to us. We can reach people whether they’re in the library, at work, or at home.
  • 18.
    Why is socialmedia SO important to libraries? We get to go to break down barriers. It’s not just that people have an outdated or limited idea of what libraries do, it’s that they’re scared of them! We can reassure and welcome.
  • 19.
    Why is socialmedia SO important to libraries? We can have conversations online. Social media occupies an interesting space for low-key dialogue – the kind of thing people wouldn’t email or phone about but still find useful… Social media feedback is often more representative of the typical user experience.
  • 20.
    Why is socialmedia SO important to libraries? We get to improve our reputations.
  • 21.
    Why is socialmedia SO important to libraries? We get to influence behaviour. When social media goes well, we genuinely build relationships with our users. It has a knock-on effect on the way people FEEL about the library, the way they TALK about the library, and even the way they USE the library – and how often they use it.
  • 22.
    Social Media is problematicin all sorts of ways, but as library marketers it is perhaps the greatest opportunity we’ve ever been given. And the numbers go up and up, all the time.
  • 23.
    So which social mediaplatforms should public libraries prioritise?
  • 24.
    Active Social Mediausers by platform in millions, WORLDWIDE, 2024 3,049 2491 2000 1562 750 619 482 0 500 1,000 1,500 2,000 2,500 3,000 3,500 (data from Statista)
  • 25.
    Facebook remains essentialfor public libraries
  • 26.
    Active Social Mediausers by platform in millions, WORLDWIDE, 2024 3,049 2491 2000 1562 750 619 482 0 500 1,000 1,500 2,000 2,500 3,000 3,500 2.40 4.01 2.72 2.37 2.04 1.8 1.03 0.00 1.00 2.00 3.00 4.00 5.00 Active Social Media users by platform in millions, IN IRELAND, 2024 (data from Statista) (data from datareportal) (I have never seen this before!)
  • 27.
    Facebook remains essentialfor public libraries Instagram is the opportunity
  • 28.
    Its use inthe cultural sector is huge, and Instagram has established itself as a platform where people engage with organisations, not just individuals. 81% of its users have used Instagram to research products and services. 90% follow organisations or brands.
  • 29.
    You don’t need tobe a great photographer or have expensive equipment to make Insta work. But, crucially, it is a platform for captured – not created – images.
  • 30.
  • 31.
    Stories GRID PICSREELS STYLE: Portrait (vertical) pics or short videos – or just text content! Doesn’t need to be polished. CONTENT: News, updates, things that don’t photograph well, anything time-sensitive or that-day. Or – interactive things, Q&As. STYLE: Portrait (vertical) videos. CONTENT: Spaces within the library, or events like story-time or author readings, or showcasing services – or tips and tricks, crafts, etc. STYLE: Landscape or square images CONTENT: Spaces, or pretty things, or #tbt, or behind- the-scenes REMEMBER: Pictures of words simply do not work
  • 32.
    280 characters Text, images,video, links, gifs, shares from other social media Huge use among libraries and librarians For actually engaging with library users, twitter was hard to beat.
  • 33.
    Huge numbers ofpeople are leaving (and the people joining are hugely problematic) Mechanics don’t work as well (algorithm is built on one megalomaniac's whims) Almost all freely available bolt-on tools no longer available Analytics now unusable
  • 34.
    X has becomeso toxic, it is arguably reputationally damaging to be there
  • 35.
    This recent tweethas reached 1.5% of Dublin City Libraries’ followers. (The problem is not the tweet.)
  • 36.
    Facebook remains essentialfor public libraries Instagram is the opportunity It’s time to become ex-x
  • 37.
  • 38.
    The landscape isblurry here because there’s no single place our Twitter community is going. If there were we would go there, because the audience is more important than the tool. Instead, things are more fragmented, and whatever happens this is unlikely to reverse, so we have to plan accordingly.
  • 39.
    Threads Massive early adoptionhas not turned into a Twitter-sized pool of regular users yet. However, two things have happened recently: Threads has become usable in the EU for the first time, and a massive book-related Threads community has established itself. For Public Libraries who don’t mind focusing exclusively on the book-content, Threads could potentially be really useful in time.
  • 41.
    Here’s the thing.You don’t need to do TIKTOK in a brilliantly viral way for it to be worth being there. You can just be USEFUL. Show people spaces, and tell them how to do things – that’s valuable.
  • 42.
    Facebook remains essentialfor public libraries Instagram is the opportunity It’s time to become ex-x Tiktok + threads may be worth YOUR TIME…
  • 43.
  • 44.
  • 45.
    Thank you forlistening! ned-potter.com | @nedpotter.bsky.social Find LOTS more detail on much of the social media we’ve discussed on my website, where you can book bespoke workshops for your library if you’d like one CC0 photos via Pexels, Pixabay and Gratisography . . . .