𝗢𝗻𝗲 𝗜𝗻𝗱𝗶𝗮𝗻 𝘀𝗲𝗿𝗶𝗲𝘀. 𝗠𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗘𝘂𝗿𝗼𝗽𝗲𝗮𝗻 𝗺𝗮𝗿𝗸𝗲𝘁𝘀. 𝟳 𝘆𝗲𝗮𝗿𝘀 𝗼𝗳 𝗰𝗼𝗻𝘀𝗶𝘀𝘁𝗲𝗻𝘁 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲. What made "Stand by Me" ("Saath Nibhaana Saathiya") work where others couldn't? We analyzed the data from our broadcast partners. The patterns reveal what actually makes content travel—beyond genre, language or production budget. 5 insights programming managers can use to evaluate any international content → 𝗛𝗮𝘃𝗲 𝘆𝗼𝘂 𝘀𝗲𝗲𝗻 𝘀𝗶𝗺𝗶𝗹𝗮𝗿 𝗽𝗮𝘁𝘁𝗲𝗿𝗻𝘀 𝘄𝗶𝘁𝗵 𝗹𝗼𝗻𝗴-𝗳𝗼𝗿𝗺 𝗰𝗼𝗻𝘁𝗲𝗻𝘁 𝗶𝗻 𝘆𝗼𝘂𝗿 𝘁𝗲𝗿𝗿𝗶𝘁𝗼𝗿𝘆? 𝗗𝗿𝗼𝗽 𝗮 𝗰𝗼𝗺𝗺𝗲𝗻𝘁 𝗼𝗿 𝗗𝗠 𝗺𝗲 —𝗮𝗹𝘄𝗮𝘆𝘀 𝗵𝗮𝗽𝗽𝘆 𝘁𝗼 𝗱𝗶𝘀𝗰𝘂𝘀𝘀 𝗽𝗿𝗼𝗴𝗿𝗮𝗺𝗺𝗶𝗻𝗴 𝘀𝘁𝗿𝗮𝘁𝗲𝗴𝘆. #ContentStrategy #Broadcasting #BroadcastIndustry #MediaIndustry #Storytelling #AudienceEngagement #LinearTV #TVRatings #LongFormContent #ContentPerformance #TelevisionDistribution #InternationalDistribution

7 years. Multiple markets. Consistent top-tier performance. @ChristinaVlahova 's breakdown of what makes long-form content succeed internationally should be considered by all programming managers evaluating acquisition opportunities. The 5 insights in this carousel apply universally—regardless of content origin or target market. Particularly valuable: the framework for evaluating character development sustainability over 1000+ episodes.

At DICM, Heba Korayem spoke with Mazen Laham about how global formats land in MENA and how local ones can go global. Here are 5 powerful insights from their talk 😎👇 1️⃣ Culture comes first. Not every global hit fits MENA. Culture and religion shape how every show is adapted. 2️⃣ Local shows need brave partners. Broadcasters still prefer safe, proven formats. To grow MENA originals, we need more trust and risk-taking. 3️⃣ Streamers want originals. Platforms like Netflix don’t just buy format rights. they look for fresh, binge-worthy local stories. 4️⃣ Start local, then go global. A show must first succeed at home before it can travel abroad. 5️⃣ Unscripted still needs support. Few players, limited rights, and high risk for producers. 👉 Do you think MENA is ready for more homegrown formats to go global?

A DYNAMIC APPROACH TO SCRIPTED FINANCE — WHAT ACTUALLY WORKS IN 2025 In a buyer slowdown, hand-waving doesn’t cut it Dynamic Television’s Dan March outlines a blunt, bankable path for international scripted: incent-first structuring, pragmatic pricing, and slate focus. Best slate yet in a buyer slowdown isn’t luck — it’s discipline. #TVFinance #Scripted #Coproduction #Incentives #ContentStrategy #DynamicTelevision #C21Fundamentals @Dynamic Television @Dan March @C21Media @Jordan Pinto. Read: https://lnkd.in/dVJp3dmt

Master the Canadian Accent — the clear, friendly standard of North American speech. Ideal for actors, broadcasters, and speakers. 🎥 Watch the full  tutorial below. #AccentTraining #VoiceCoaching #ProfessionalSpeech #CanadianAccent

Master the Canadian Accent — the clear, friendly standard of North American speech. Ideal for actors, broadcasters, and speakers. 🎥 Watch the full tutorial below. #AccentTraining #VoiceCoaching #ProfessionalSpeech #CanadianAccent

Master the Canadian Accent — the clear, friendly standard of North American speech. Ideal for actors, broadcasters, and speakers. 🎥 Watch the full tutorial below. #AccentTraining #VoiceCoaching #ProfessionalSpeech #CanadianAccent

Master the Canadian Accent — the clear, friendly standard of North American speech. Ideal for actors, broadcasters, and speakers. 🎥 Watch the full tutorial below. #AccentTraining #VoiceCoaching #ProfessionalSpeech #CanadianAccent

Master the Canadian Accent — the clear, friendly standard of North American speech. Ideal for actors, broadcasters, and speakers. 🎥 Watch the full tutorial below. #AccentTraining #VoiceCoaching #ProfessionalSpeech #CanadianAccent

Master the Canadian Accent — the clear, friendly standard of North American speech. Ideal for actors, broadcasters, and speakers. 🎥 Watch the full tutorial below. #AccentTraining #VoiceCoaching #ProfessionalSpeech #CanadianAccent