From the course: Video Green Screen Workflows
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Final green-screen colorgrading to match
From the course: Video Green Screen Workflows
Final green-screen colorgrading to match
- Now once we get this relatively close, it's time to actually pay attention to how the foreground and the background match, as well as the look of the overall scene. So what we're going to do here is apply a few different color correction passes. Earlier we put a Lumetri color corrector before the ultra key, and that was just boosting the color a little bit and sharpening things to get a better overall match. At this point, it's looking pretty good in the scene, but I want to finesse things a little bit. With the layer selected, you'll notice that the ultra key has its own color correction tools. So for example, we can boost the saturation a little bit, better match the bright sunny day. So we'll roll that up to about 120. If I adjust the hue, we can roll this to better match the scene. Now again, very small changes are all you typically need. If you hold down the command or the control key, instead of it going with…
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Stacking layers for keying in Adobe Premiere Pro2m 45s
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Using the Ultra Keyer3m 50s
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Refining the Ultra Keyer with mask generation3m 27s
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Cleaning up a mask in Ultra Keyer6m 25s
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Final green-screen colorgrading to match5m 12s
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Creating green-screen previsualization6m 53s
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Sending a Premiere Pro green-screen sequence to After Effects1m 54s
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